In my meanderings in Delaware Park as part of my exploration of World’s Fair sites, I walked over two interesting bridges: the Whirly-Twirly Bridge and the Lincoln Parkway Bridge. The Whirly-Twirly Bridge is the best named bridge of the 100+ bridges that I’ve encountered since I started walking bridges (even beating out the Big Dam Bridge). It also provides one of the few pedestrian links across the Scajaquada Expressway which divides Delaware Park. The Lincoln Parkway Bridge was built in 1900, perhaps as part of the 1901 Pan-American World’s Fair. If so, the story of this bridge gets drowned out in the attention paid to the temporary Triumphal Bridge with its massive pylons that lasted only as long as the fair. From my observation, the Lincoln Parkway Bridge is a nice, modest scale, stone arch bridge that acknowledges the indigenous people of the area in its sculpture. I was able to get a nice lake-eye view of these sculptures from a rented paddle boat that sadly included a prohibition on paddling underneath the bridge.
Category Archives: World’s Fairs
Chicago’s Other World’s Fair
Unbeknownst to me at the time, on my aborted bike ride to the site of the White City in 2013, I rode right passed the site of Chicago’s other World’s Fair. The Century of Progress 1933 World’s Fair was located on what is now called Northerly Island. Adler Planetarium and Shedd Aquarium were the obligatory permanent museums opened in conjunction with or adjacent to the fair.
One of the interesting tidbits I’ve learned about this fair is that it used a rainbow of colors. Clearly, this was intended to be among the elements that would distinguish this fair from the previous one. However, it sounds to me more like Chicago was trying to imitate Buffalo’s Rainbow City, the 1901 World’s Fair.
My thanks to Zachary L. Brodt and his book From the Steel City to the White City: Western Pennsylvania & the World’s Columbian Exposition for helping me to realize that I can say I’ve visited four former US hosted World’s Fair sites as of May 2024.
Buffalo’s Rainbow City
Having now been to two former World’s Fair sites, I felt compelled to round it out with a third. Weeks before COVID hit, I was in the planning phase for a trip to Buffalo when I discovered that they had held a World’s Fair in 1901. I had found my third site, though the visit was delayed several years from the fallout of COVID and life.
As I got off the bus at the end of a bridge over an expressway, I had moment of panic before seeing I was right next to the History Museum and a quiet residential neighborhood, just as I had intended. There were several parallels between this site and those I explored in San Francisco and Chicago, but the feel of the place was completely different. There was the characteristic lagoon, or in this case lake, surrounded by park, but the park and lake were designed by Frederick Law Olmsted long before the idea of the fair was born. Like Chicago, the remaining fair building(s) was used as a museum, and while the architecture is intended to inspire awe and perhaps intimidation, it is the normal awe and intimidation of the average temple to art or history seen in many cities and not the massive scale of San Francisco’s Palace. The park is also bisected by a road with dangerously fast traffic, but there are multiple safe pedestrian crossing points over and under (including the Whirly-Twirly Bridge). There was a Japanese Garden here as well, but it was installed decades after the fair and was illustrative of the fact that this site had a life before the fair and continues to have an on-going life after the fair.
The remainder of the fair site between the park and the railroad tracks where the fair had a station has been fully redeveloped. Over half of that area is now residential neighborhood(s) with a variety of housing types from modest single-family dwellings to large homes with security fencing and landscaping staff. (Passing these houses and taking photos, I again felt the potential for someone to approach and question my belonging and right to explore.) There were also two-family dwellings and apartments. I passed two schools, a former church, some industrial properties, a paddock, and a strip mall. One of the residential streets had a sign acknowledging the past as the site of the 1901 Pan American Exposition. Otherwise, I wouldn’t have know I was on the site of a former World’s Fair without having carefully studied the map of the fair beforehand. I felt as though I was in any other neighborhood of any other city that is flat and that has residents who have at least a little, though in many parts it was clear that the residents had a lot.
As I had unintentionally read about the World’s Fairs in San Francisco and Chicago before visiting those sites, I decided that I needed to intentionally read about Buffalo’s before going so that there would be some consistency in my approach. One of the points that Margaret Creighton reiterated in her book The Electrifying Fall of Rainbow City was that Buffalo was trying to outdo Chicago (they picked the Rainbow City theme and lighting scheme to be in direct contrast to Chicago’s White City). In the end, and certainly not helped by the fact that President McKinley was shot at the fair, Buffalo did not have the success they sought in receipts or in numbers of visitors.
Having now visited both Chicago and Buffalo’s fair sites, I would say that over 100 years later, Buffalo has had the greater long-term success on its fair site than Chicago. The entire area once covered by the fair is now, and has been for some time, an actively used location. From the park with a number of tourists and residents enjoying all the amenities (even in the middle of a Monday at the beginning of the school year) to the homes to the businesses, Buffalo’s fair site must by this point have long outstripped Chicago’s in number of visitors/residents/users and in tax revenue/receipts.
Chicago’s White City
My fascination with World’s Fairs was started when I was a child by Laura Ingalls Wilder and the San Francisco Panama-Pacific Exposition. It has continued as an adult. Chicago’s 1893 World’s Columbian Exposition is the World’s Fair for planners. The “White City” was the first major example of the City Beautiful Movement, an attempt to reduce or eliminate the unhealthy, overcrowded cities of the time.
After years of hearing about the importance of the 1893 Chicago World’s Fair in planning and architecture and after reading Eric Larson’s The Devil in the White City, I made it a goal to visit the fair site. On one trip to Chicago when the weather was beautiful, I rented a bike and rode down the waterfront trail toward what was left of the White City. This was before I had a smart phone which meant I turned around and gave up because I feared that I had misjudged the distance by bike trail. Later, I realized I was probably pretty close and if I had only gone around one more curve, I would have seen my destination.
My next trip to Chicago was the same year I visited San Francisco. This time, I took a bus to the fair location. I picked the bus stop that on the map appeared to be the closest stop to the remaining places of interest from the fair. When I stepped off the bus onto a broken sidewalk, I found a desolate expanse of vacant land, scraggly trees, and pock-marked lawns. A weary walk presented itself every way I turned.
The bus didn’t run frequently out there. The roads that crossed the vacant expanse stretched far and wide, empty except for the random sudden appearance of a single speeding vehicle.
As soon as I had stepped off the bus and it drove off, I felt tired and scared. I wondered how to extricate myself from this horrible environment. I had some additional information that expanded the negative emotions stirred by the conditions around me. I had heard or read somewhere that the former Midway, which was where I got off the bus, was used as a sort of DMZ buffer to keep “those people” (in this case, primarily people with little income or people of color) away from the University of Chicago campus. I had clearly landed in the middle of a land of have-nots.
As I had come this far with a purpose and there seemed to be little else to do, I moved forward toward the lake. Migraine-inducing music was blaring from an unseen picnic far away and it followed me wherever I went. After feeling like I had taken my life in my hands by daring to cross the road where at any second a car could come speeding by, I reached a path among experimental plantings. Following random turns, I found the lagoon from the fair. The one white building that remained was on the opposite shore and was surrounded by scaffolding. The walk that once circumscribed the water was shut off by a menacing 6-foot high, chain link fence and a bridge that divided the lagoon seemed no longer safe to cross over, though passing under through the muck and mud was an option.
I eventually found a way forward and reached the Japanese Garden that was developed for the fair and remains a peaceful spot. Prior to that, at the moment of being confronted with a security fence and a broken bridge, the fear and doubt that often accompanies me on my explorations became overwhelming. What if I’m stopped? What if I’m questioned? Do I have a right to explore here and pass this way? Do I have a right to explore places and pass judgement?
San Francisco’s Palace of Fine Arts
As a child, I was a fan of Laura Ingalls Wilder (author and heroine of the Little House on the Prairie series). I read all of her books, biographies about her, the books about her daughter, and as they began to be released the books about her mother, grandmother, and great grandmother. I also researched her family tree and found her ancestors back to the time of Henry VIII.
I no longer remember the exact order of events. When I was 12 (almost on my birthday), we moved to California. Either before or after that event, I read Laura Ingalls Wilder’s book West from Home, which are letters to her husband written on a visit to her daughter, a reporter in San Francisco, in 1915. Because Laura had visited the 1915 Panama-Pacific Exposition (World’s Fair) in San Francisco, I wanted to go visit what was left of it. I never got the chance while I lived in California. Years later, I finally got there.
Sitting by the lagoon of the Palace of Fine Arts was very peaceful, with the small fountain splashing and birds chirping and cawing. As I sat there enjoying the scene, there was a moment when I could almost picture Laura Ingalls Wilder and other women of the 1910s in their multi-layer dresses, hats or bonnets, and gloves strolling past in a promenade and gazing with wonder at the sights around them.
The Palace of Fine Arts was of a scale to inspire awe and intimidation. It was far more massive and taller than I had imagined. Walking underneath the rotunda, I felt insignificant. Are such large structures built to show us the insignificance of humanity? And yet, they are designed and constructed by humans, which means we create what makes us feel our own insignificance.
urbantraipsing 